Issue Index

Charwei Tsai, Ancient Desires, 2023, ceramic offering vessels, dimensions variable, commissioned by Kettle's Yard and the Paul Mellon Centre for Studies in British Art, during a residency at Wysing Arts Centre. Made with the support of artists Lawrence Epps and Isobel Meredith-Hardy at Wysing Arts Centre, Cambridge, and Marie Saint Bris, Paris.

Digital image courtesy of Charwei Tsai / Photo: Lucy Rose Shaftain-Fenner.

Installation view, Jala Wahid, Sophie Tappeiner (detail), Frieze London Booth H03, Focus Section, October 2021.

Digital image courtesy of Jala Wahid (all rights reserved). Photo: Edwin Coomasaru.

The Market Woman’s Story: Contemporary Ceramics by Jacqueline Bishop (film still), 2022.

Digital image courtesy of Shelbourne Films, produced by Lucy Andia for British Art Studies (CC BY NC 4.0).

Hew Locke, Huan Tian Xi Di, 2016, acrylic paint on C-TYPE photograph, 124.5 × 174 cm.

Digital image courtesy of DACS/Artimage 2022 (all rights reserved).

Michelle Erickson, Remember, from the MADE IN USA series, 2020, commercial Starbucks “MADE IN USA” mug with artist’s ceramic transfer designs and gold and pink luster enamel, height: 4.5 in. Collection of the Chipstone Foundation.

Digital image courtesy of the artist / Photograph by Robert Hunter (all rights reserved).

Francis Danby, Sunset at Sea After a Storm, 1824, oil on canvas, 89.6 × 142.9 cm. Collection of Bristol Museum and Art Gallery (K5008).

Digital image courtesy of Bristol Museum and Art Gallery (all rights reserved).

Victor Ehikhamenor, Holy, Holy, Holy King (detail), 2018, rosary beads and bronze statuettes on canvas, 116 × 71 in.

Digital image courtesy of Victor Ehikhamenor (all rights reserved).

Sonia E. Barrett, Table No. 6, 2013, wood and metal.

Digital image courtesy of Bruno Weiss.

Isaac Oliver, Sir Edward Herbert, later 1st Lord Herbert of Cherbury (detail of visible light image), circa 1613-14, 18.1 × 22.9 cm. Powis Castle, National Trust (NT 1183954).

Digital image courtesy of Hamilton Kerr Institute.

Bill Brandt, Stonehenge Under Snow (recto), 1947, printed later, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Alpha, Isis, Eden, installation photograph, 1 February – 18 March 2017, multi-media installation made in collaboration with sound engineer Jack Latham.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Ada Hao, Still from "like a flower paddle my teeth" (5:30), 2019.

Digital image courtesy of Ada Hao.

Avinash Chandra, Drawing 3 (detail), 1963, watercolour, 57.1 × 66 cm. Collection of Museums Sheffield (VIS.3419).

Digital image courtesy of the estate of Avinash Chandra. Photo courtesy of Museums Sheffield (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth, Unter den Linden, 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint.

Digital image courtesy of David Alesworth.

Jonathan Law, The Boy-Narcissus, still from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Gypsy”, Chisholm's nickname for Elsie Knocker, Pervyse, 1915.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, MS 8932, depicting the Zodiac Man, circa 1415–20, England, paint and ink on parchment, 13 × 12 cm. Collection of the Wellcome Library, London.

Digital image courtesy of Wellcome Library.

Francis Alexander Skidmore and Sir George Gilbert Scott, The Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, De La Warr Pavilion, Bexhill on Sea, East Sussex, England, UK, 1978

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON28062)

Simon Starling, Infestation Piece (Musselled Moore), 2006–8, steel and mussels, 162.6 × 76.2 × 76.2 cm

Digital image courtesy of the artist

David Lewis, Fan, 2016

Mikhail Karikis, Children of Unquiet (video still), 2013–14

Digital image courtesy of the artist