Issue Index

Charwei Tsai, Ancient Desires, 2023, ceramic offering vessels, dimensions variable, commissioned by Kettle's Yard and the Paul Mellon Centre for Studies in British Art, during a residency at Wysing Arts Centre. Made with the support of artists Lawrence Epps and Isobel Meredith-Hardy at Wysing Arts Centre, Cambridge, and Marie Saint Bris, Paris.

Digital image courtesy of Charwei Tsai / Photo: Lucy Rose Shaftain-Fenner.

Installation view, Jala Wahid: Conflagration, 22 October–30 April 2023, BALTIC Centre for Contemporary Art, Gateshead.

Digital image courtesy of Jala Wahid. Photo: Rob Harris © 2022 BALTIC (all rights reserved).

The Market Woman’s Story: Contemporary Ceramics by Jacqueline Bishop (film still), 2022.

Digital image courtesy of Shelbourne Films, produced by Lucy Andia for British Art Studies (CC BY NC 4.0).

Lizzie Malcolm | Rectangle, Visualisation of the River Thames, 2022.

Michelle Erickson, Shell Dish and Helios Dish, 2021, 3D scanned printed, molded and slipcast porcelain with lifecast lobster and antler and ceramic transfer prints, width: 8 in. 3D scanning and printing done in collaboration with Dr Bernard Means at the Virtual Curation Lab, Virginia Commonwealth University. Collection of the artist.

Digital image courtesy of the artist / Photograph by Robert Hunter (all rights reserved).

Rita Duffy, Soften the Border, 2017, installation on Blacklion-Belcoo bridge, dimensions variable.

Digital image courtesy of Rita Duffy (all rights reserved).

Victor Ehikhamenor, My Last Dance as King Before Sir Harry Lawson’s Army Arrive (detail), 2017, rosary beads and thread on lace fabric, 126 × 75 in.

Digital image courtesy of Victor Ehikhamenor (all rights reserved).

Angela Camacho and Adriana Buzman, Tinku Warmi, film still.

Digital image courtesy of Angela Camacho.

Isaac Oliver, Sir Edward Herbert, later 1st Lord Herbert of Cherbury (detail of visible light image), circa 1613-14, 18.1 × 22.9 cm. Powis Castle, National Trust (NT 1183954).

Digital image courtesy of Hamilton Kerr Institute.

Bill Brandt, Stonehenge Under Snow (recto), 1947, printed later, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Barking, 2019.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Ada Hao, Still from "like a flower paddle my teeth" (8:25), 2019.

Digital image courtesy of Ada Hao.

Margaret Mellis, Red Flower (detail), 1958, oil on board, 39.4 × 39.1 cm. Collection of Museums Sheffield (VIS.4951).

Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Museums Sheffied (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth and Shakila Haider, Gardens of England, Bryant's Hill, 2017, watercolour on wasli paper, 30 × 34 cm.

Digital image courtesy of David Alesworth and Shakila Haider.

Jonathan Law, Pattern, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Gypsy”, Chisholm's nickname for Elsie Knocker, Pervyse, 1915.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, Ivory Staff Terminal from Alcester, 11th Century, ivory, 14 × 5 cm. Collection of the British Museum (1903,0323.1).

Digital image courtesy of Trustees of the British Museum

Francis Alexander Skidmore and Sir George Gilbert Scott, Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, Cricket Players Looking for Cricket Ball, Chew Stoke, England, UK, 1992

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON55595)

Gerard Byrne, 1984 and Beyond (production still), 2005–07, part of a multimedia installation featuring video, photography and text

Digital image courtesy of the artist

David Lewis, Stair: Passing Clouds, 2016

Mikhail Karikis, Children of Unquiet (video still), 2013–14

Digital image courtesy of the artist