Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard

Article – Sam Smiles

Masculinity and Isolation in the Self-Portraits of L.S. Lowry

Article – Ella Nixon

Sailors’ Valentines: Shell Mosaics from Victorian Barbados

Article – Molly Duggins

Sugar Time: Reactivating Memories of Scottish Empire through Contemporary Art and Performance

Article – Emma Bond

Ancient Desires

Cover Collaboration – Charwei Tsai, Rosie Cooper, Sarah Victoria Turner

Oil Aesthetics and Imperial Violence

Cover Collaboration – Jala Wahid, Edwin Coomasaru

Monuments Must Fall

Conversation Piece – Edwin Coomasaru

Cutting and Pasting: The Print Room at Woodhall Park

Article – Kate Retford

Is the Painting a Grave?
John Everett Millais and the Queer Refusals of Victorian Art

Article – Ariel Kline

The Rise and Fall of the “Clerks”: British Art History, 1950–1970

Article – Hans C. Hönes

Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

Article – Melissa L. Gustin

The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

Article – Sam Gathercole

Greenham Common's Archival Webs: Towards a Virtual Feminist Museum

Animating the Archive – Alexandra Kokoli

The Market Woman’s Story

Cover Collaboration – Jacqueline Bishop

Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

Article – Elizabeth Fisher

Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

Article – Luke Gartlan

Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

Article – Margaret Iversen

The Black Prince, the Trinity, and the Art of Commemoration

Article – Sophie Kelly

Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

Article – Wendy McGlashan

Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

Article – Margaret J. Schmitz

Introduction: “Watery Relations”

Article – Shalini Le Gall, Justin McCann

“The Surrounding Great Work”: Memory, Erasure, and Curating the Built Environment of the West India Docks, 1802–2022

Article – Aleema Gray, Danielle Thom

Ships and Souvenirs: Itineraries of the Golden Jubilee

Article – Shalini Le Gall

Printed Ecologies: William Morris and the Rural Thames

Article – Sarah Mead Leonard

“The River Seemed Almost Turned to Blood”: The Tooley Street Fire

Article – Nancy Rose Marshall

Women in Whistler’s Images of Chelsea and the Thames

Article – Patricia de Montfort

Whistler and Battersea: The Aesthetics of Erasure and Redevelopment

Article – Jon Newman

“Over London at Night”: Gasworks, Ballooning, and the Visual Gas Field

Article – Jennifer Tucker

Unhomely: Redefining the British Decorative Arts

Introduction – Iris Moon

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Article – Sarah Bochicchio

Microorganisms, Microscopes, and Victorian Design Theories

Article – Ariane Varela Braga

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Article – Max Bryant

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Article – R. Ruthie Dibble, Joseph Mizhakii Zordan

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Article – Patricia F. Ferguson

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Article – Freya Gowrley

Serving as Ornament:
The Representation of African People in Early Modern British Interiors and Gardens

Article – Hannah Lee

Ruth Ellis’s Suit

Article – Lynda Nead

Colonial Trash to Island Treasure: The Chaney of St. Croix

Article – Jessica Priebe

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Article – Ianna Recco

Wild Porcelain

Cover Collaboration – Michelle Erickson

The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art

One Object – Iris Moon

Unpacking Wedgwood: An Interview with Roberto Visani

Interview – Caitlin Meehye Beach, Roberto Visani

What’s in a Label?
Revising Narratives of
the Decorative Arts in
Museum Displays

Virtual Exhibition – Iris Moon

Another Crossing: Artists Revisit the Mayflower Voyage

In the Artist’s Words – Glenn Adamson

In Sparkling Company:
Presenting Eighteenth-Century
Britain in Western New York State

Look First – Christopher Maxwell

British Art after Brexit

Conversation Piece

Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)

Article – Liz Bruchet, Ming Tiampo

Slade, London, Asia: Animating the Archive (Part 1)

Animating the Archive – Liz Bruchet, Ming Tiampo

“Everything I Learnt About Activism I Learnt in King’s Lynn”: Gustav Metzger’s Formative Years in King’s Lynn

Article – Jonathan P. Watts

Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji

Article – Allison K. Young

Victorian Anatomical Atlases and Their Many Lives (and Deaths)

Anatomy in Context: Conversations in the Wellcome Collection, London

One Object – Jonathan Law, Ludmilla Jordanova, William Schupbach

Victorian Anatomical Atlases and Their Many Lives (and Deaths)

Bloodlines: Circulating the Male Body Across Borders in Art and Anatomy 1780–1860

One Object – Anthea Callen

Victorian Anatomical Atlases and Their Many Lives (and Deaths)

Black Apollo:
Aesthetics, Dissection, and Race in Joseph Maclise’s Surgical Anatomy

Objects in Motion Article – Keren Rosa Hammerschlag

Victorian Anatomical Atlases and Their Many Lives (and Deaths)

Mr Joseph Maclise and the Epistemology of the Anatomical Closet

One Object – Michael Sappol

Victorian Anatomical Atlases and Their Many Lives (and Deaths)

Joseph Maclise, Taylor & Walton, and Publishing on Gower Street in the 1840s

One Object – William Schupbach

Victorian Anatomical Atlases and Their Many Lives (and Deaths)

“It Should Be on Every Surgeon’s Table”:
The Reception and Adoption of Joseph Maclise’s Surgical Anatomy (1851) in the United States

Objects in Motion Article – Naomi Slipp

Millais’s Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

Article – Mark A. Cheetham

John McHale, Marshall McLuhan, and the Collage “Ikon”

Article – Rachel Stratton

Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture

Article – Rebecca Whiteley

Necrography: Death-Writing in the Colonial Museum

Conversation Piece – Dan Hicks

Royal Religion Series

Cover Collaboration – Victor Ehikhamenor

Women in Fur: Empire, Power, and Play in a Victorian Photography Album

Article – Sarah Parsons

The Lost Cause of British Constructionism: A Two-Act Tragedy

Article – Sam Gathercole

Aubrey Beardsley in the Russian “World of Art”

Article – Sasha Dovzhyk

Making a Case: Daguerreotypes

Article – Steve Edwards

The Arts, Environmental Justice, and the Ecological Crisis

Conversation Piece – Sria Chatterjee

Climate and Culture Beyond Borders

Cover Collaboration – Worm: art + ecology

Moss Rain Paradox:
Refocusing Climate Framings

Cover Collaboration – Angela Chan

Beyond Interspecies Objectification

Cover Collaboration – Sonia E. Barrett

Wang Chau Village: (Non-)Indigenous Wisdom, Amidst Eviction

Cover Collaboration – Michael Leung

DIÁSPORAS QUE LUCHAN
(Diasporas that Fight)

Cover Collaboration – The Bonita Chola (aka Angela Camacho)

The Ecological Imperative: Stopping Ecocide

Cover Collaboration – INTERPRT

Introduction

Article – Catharine MacLeod, Alexander Marr

An Early Impresa Miniature: Man in an Armillary Sphere (1569)

Article – Alexander Marr

Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

Article – Christina J. Faraday

Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

Article – Karin Leonhard

Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

Article – William Aslet

A Portrait of the Miniaturist as a Young Man:
Nicholas Hilliard and the Painters of 1560s London

Article – Edward Town

Isaac Oliver and the Essex Circle

Article – Catharine MacLeod

Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

Article – Polly Saltmarsh

A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

Article – Annemie Leemans

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

Article – Christine Slottved Kimbriel, Paola Ricciardi

Editorial

Editorial – British Art Studies Editorial Group

Luxury and Crisis: Redefining the British Decorative Arts

Conversation Piece – Iris Moon

“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

Article – Helen Pierce

The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

Article – Anna Cooper, Martin Myrone

Bill Brandt: Photography and the Printed Page

Cover Collaboration – Martina Droth, Paul Messier, Richard Caspole, Robert Hixon

St Stephen’s Chapel

Virtual St Stephen's: The Medieval Model and the Art Historian

One Object – Tim Ayers

St Stephen’s Chapel

Mapping the Unknown: Using Incomplete Evidence to Craft Digital Three-Dimensional Models of St Stephen’s

One Object – Anthony Masinton, James Jago

St Stephen’s Chapel

The Wall Paintings at St Stephen’s Chapel, Westminster Palace: Recent Imaging and Scientific Analysis of the Fragments in the British Museum

One Object – Helen Howard, Lloyd de Beer, David Saunders, Catherine Higgitt

A Visionary Sense of London

Cover Collaboration – Laura Grace Ford

Bert Hardy: Exercises with Photography and Film

Article – Lynda Nead, John Wyver

Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America

Objects in Motion Article – Sria Chatterjee

Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

Article – Matthew Beaumont

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

Article – Aviva Burnstock, Sarah MacDougall

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

Article – David Hansen

on the side of the disease and not the cure

Cover Collaboration – James Richards, Sarah Perks

“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

Article – Samuel Bibby

“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

Article – Nathan O'Donnell

The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

Article – Kirsty Sinclair Dootson

The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

Article – Catherine Roach

“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Article – Katherine Fein

London, Asia, Exhibitions, Histories

Editorial – Hammad Nasar, Sarah Victoria Turner

Exhibitions, Histories: Showing, Telling, Seeing and Beyond

Introduction – Sonal Khullar

Why Exhibition Histories?

Conversation Piece – Saloni Mathur

Exhibitions in Print

Interview – Sharmini Pereira, Sneha Ragavan

Curating the Cosmopolis

Interview – Iwona Blazwick, Rattanamol Singh Johal

Unlearning the Modern

Interview – David Elliott, Hilary Floe

Instant Malaysia: Imagining a Nation at the Commonwealth Institute

Article – Kelvin Chuah

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

Article – Sarena Abdullah

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

Article – Claire Wintle

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

Article – Lotte Hoek, Sanjukta Sunderason

“Exciting a Wider Interest in the Art of India”
The 1931 Burlington Fine Arts Club Exhibition

Article – Brinda Kumar

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

Article – Alice Correia

Asia Art Activism

26 x 2 = 0

Cover Collaboration – Bettina Fung | 馮允珊

Asia Art Activism

“like a flower paddle my teeth”

Cover Collaboration – Ada Hao

Asia Art Activism

Yellow Peril

Cover Collaboration – Nicholas Tee

The Kitchen Sink Too

Cover Collaboration – Abi Shapiro

1964: A Year of Exhibitions

Animating the Archive – Stephen Bann

Transatlantic Transactions and the Domestic Market:
Agnew’s Stock Books in 1894–1895

Objects in Motion Article – Barbara Pezzini, Alan Crookham

Letters from the Home Front:
The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Article – Sophie Hatchwell

Cumbrian Cosmopolitanisms:
Li Yuan-chia and Friends

Article – Hammad Nasar

Whatever Happened to Delia Derbyshire?
Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Article – David Butler

Delia Derbyshire: The Myths and the Legendary Tapes

Film – Caroline Catz

Theatres of War

Performing Pacifism

Virtual Exhibition – Grace Brockington

Theatres of War

Inspirations

Virtual Exhibition – Grace Brockington

Theatres of War

London's Little Theatres

Virtual Exhibition – Grace Brockington, Claudia Tobin

Theatres of War

Beyond London & the War

Virtual Exhibition – Grace Brockington

Making The Ballet of the Nations

Costumes and Production

Interview – Ella Margolin, Pam Tait

Making The Ballet of the Nations

Composing

Interview – Robert Bentall

Making The Ballet of the Nations

Directing and Choreography

Interview – Roseanna Anderson, Joshua Ben-Tovim

Making The Ballet of the Nations

Cinematography

Interview – Ella Margolin, Jack Offord

Introduction

Editorial – Mark Hallett

Landscape Then and Now

Article – Tim Barringer

Fire-Stick Picturesque:
Landscape Art and Early Colonial Tasmania

Article – Julia Lum

Landscape Now

Conversation Piece – Alexandra Harris

Gardening the Archive:
A Conversation between David Alesworth and Hammad Nasar

Cover Collaboration – David Alesworth, Hammad Nasar

Paul Nash’s Geological Enigma

Article – Anna Reid

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

Article – Anna Falcini

On Place and Displacement:
Benjamin Henry Latrobe and the Immigrant Landscape

Article – Julia A. Sienkewicz

Liquid Landscape: Southam, Constable, and the Art of the Pond

Article – Stephen Daniels

The Anthroposcenic: Landscape in the Anthroposcene

Article – David Matless

Landscaping Islands:
Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Article – Gill Perry

Outside In: Reflections of British Landscape in the Long Anthropocene

Article – Mark A. Cheetham

Lines in the Landscape:
Ruins and Reveals in Britain

Article – Corinne Silva, Val Williams

The “Connoisseur’s Panorama”:
Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

Article – Greg Smith

1973 and the Future of Landscape

Article – Nicholas Alfrey

Introduction:
The Alma-Tademas’ Studio-Houses and Beyond

Article – Elizabeth Prettejohn, Peter Trippi

Laboratories of Creativity:
The Alma-Tademas' Studio-Houses and Beyond

Conversation Piece – Elizabeth Prettejohn, Peter Trippi

What Do We Want from Artists’ Houses?
A Reflection

Article – Christopher Reed

The Resistant Materiality of Frederic Leighton’s Arab Hall

Article – Mary Roberts

The Atmospherics of Leighton House

Cover Collaboration – Jonathan Law, Mary Roberts

“A Door of Hell”:
Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

Article – Gregory Salter

Editorial

Editorial – British Art Studies Editorial Group

“As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

Article – Damian Taylor

Aubrey Williams: Abstraction in Diaspora

Article – Kobena Mercer

“The Art Game”:
Television, Monitor, and British Art at the turn of the 1960s

Article – Michael Clegg

Snapshots from No Man's Land

Cover Collaboration – Pippa Oldfield

“From a Sheet of Paper to the Sky”

In the Artist’s Words – Inga Fraser

“The Snob’s Chaldron”: Alexander Davison and the Private Patronage of History Painting in Early Nineteenth-Century Britain

Article – Katherine Gazzard

A Photobook of the Shimmer:
Pearl Fisheries, Photography, and British Colonialism in South Asia

Article – Natasha Eaton

Elegant Engravings of the Pacific:
Illustrations of James Cook’s Expeditions in British Eighteenth-Century Magazines

Article – Jocelyn Anderson

Art by the Many: London Style Cults of the 1960s

Conversation Piece – Thomas Crow

Seeing Red

Cover Collaboration – Glenn Adamson, Richard Caspole

The Famous Women Dinner Service: A Critical Introduction and Catalogue

Look First – Hana Leaper

The Famous Women Dinner Service: In Conversation with Contemporary Art

Look First – Judy Chicago, The Women’s Art League, Carmen Hermo, Hana Leaper, Jonathan Law

Editorial

Editorial – Jessica Berenbeim, Sandy Heslop

Medieval Invention and its Potencies

Article – Paul Binski

Innovation in English Gothic Architecture:
Risks, Impediments, and Opportunities

Article – Roger Stalley

Imagining Invention:
The Character of the “Gothic architect” and England, 1200–1400

Article – James Hillson

Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral

Article – Alexandrina Buchanan, Nicholas Webb

Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England

Article – Helen Lunnon

Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster

Article – Laura Slater

The Englishness of English Sedilia

Article – James Alexander Cameron

Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland

Article – Jessica Barker

In the Vineyard of the Lord:
Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges

Article – Veronika Decker

The Temple of Justice and the Key of David:
Anachronism and Authority in the Chichester Seal Matrix

Article – Lloyd de Beer

Resonance and Reuse:
The Fifteenth-Century Transformation of a Late Romanesque Vita Christi

Article – Kristen Collins

Wording the Wound Man

Article – Jack Hartnell

Disciplining the Digital:
Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art History

Conversation Piece – Amy Jeffs

One Object

An Ivory Staff Terminal from Alcester

One Object – Sandy Heslop

One Object

Pilgrim Souvenir: Hood of Cherries

One Object – Amy Jeffs

One Object

Morse Decorated with the Crucifixion and the Monogram of Abbot Walter Clifton of Warden Abbey

One Object – Michael Carter

One Object

Pilgrim Souvenir: Ampulla of Thomas Becket

One Object – Amy Jeffs

Between a Rock and a Blue Chair:
David Hockney’s Rocky Mountains and Tired Indians (1965)

Article – Martin Hammer

Drawing after the Antique at the British Museum, 1809–1817:
“Free” Art Education and the Advent of the Liberal State

Article – Martin Myrone

A “Modern Rendezvous” in London:
Painters, Pilots, and Edward Wadsworth’s A Short Flight (1914)

Article – Bernard Vere

Lowry and the Local

Article – Anne M. Wagner

Hereford Screen

Theology and Threshold:
Victorian Approaches to Reviving Choir and Rood Screens

One Object – Ayla Lepine

Hereford Screen

The Hereford Screen: A Prehistory

One Object – Matthew Reeve

Hereford Screen

The Medieval Choir Screen in Sacred Space:
The Dynamic Interiors of Vezzolano and Breisach

One Object – Jacqueline E. Jung

Hereford Screen

Sound and Vision in the Hereford Screen

One Object – Justin Underhill

Hereford Screen

Liturgy and Music in Hereford Cathedral in the Time of Queen Victoria and Beyond

One Object – Tessa Murdoch

Hereford Screen

Collaborations Between Scott and Skidmore

One Object – Alicia Robinson

Hereford Screen

“A triumph of art” or “blatant vulgarity”:
The Reception of Scott and Skidmore’s Screens

One Object – Alicia Robinson

Hereford Screen

Conserving and Restoring the Hereford Screen

One Object – Diana Heath

Editorial

Editorial – British Art Studies Editorial Group

New Brutalist Image 1949–55:
'atlas to a new world' or, 'trying to look at things today'

Look First – Victoria Walsh, Claire Zimmerman

The Temporal Dimensions of the London Art Auction, 1780–1835

Article – Matthew Lincoln, Abram Fox

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Article – Catherine Roach

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

Article – Sean Robert Willcock

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Article – Vajdon Sohaili

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Article – Kate Grandjouan

Exit Theory:
Thinking Photography and Thinking History from One Crisis to Another

Conversation Piece – John Tagg

Martin Parr

Cover Collaboration – Martin Parr

Conference Proceedings: Photography and Britishness

Recordings – Sarah Victoria Turner, Martina Droth

British Sculpture Abroad: An Introduction

Introduction – Penelope Curtis, Martina Droth

1945–1960

Henry Moore's Exhibition in Yugoslavia, 1955

Essay – Želimir Koščević

1945–1960

Barbara Hepworth in Brazil

Essay – Ana Gonçalves Magalhães

1945–1960

British Sculpture Exhibited at the Venice Biennale after the Second World War, and its Impact on the Work of Italian Sculptors

Essay – Emanuela Pezzetta

1945–1960

1984 and Beyond (2005–07)

Essay – Gerard Byrne

1960s

British Constructivist Art

Essay – Sam Gathercole

1960s

“Induced Tension”: A Forgotten Chapter in the History of British Sculpture in the USA

Essay – Arie Hartog

1960s

Hybrid Sculpture of the 1960s

Essay – John J. Curley

1960s

Sight Unseen: Anthony Caro’s Prairie, 1967

Essay – Sarah Stanners

1960s

The Geography of Making or On Finding Moore Everywhere

Essay – Simon Starling

1970s

Mark Boyle and Joan Hills at the Gemeentemuseum, The Hague

Essay – Chris Townsend

1970s

The British Avant Garde: A Joint Venture Between the New York Cultural Center and Studio International Magazine

Essay – Jo Melvin

1970s

Arte Inglese Oggi, Milan, 1976: Between Formalism and Conceptual Art

Essay – Elena Crippa

1970s

Un Certain Art Anglais, 1979

Essay – Lucy Reynolds

1970s

Henry Moore’s Public Sculpture in the US: The Collaborations with I. M. Pei

Essay – Alex Potts

1980s

The British Show in Australia, 1985

Essay – Anthony Bond

1980s

A Quiet Revolution: British Sculpture Since 1965

Essay – Mary Jane Jacob

1980s

full’n’empty – subjectobject – uhmm, Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991

Essay – Julian Heynen

1980s

Expanding the Field: How the “New Sculpture” put British Art on the Map in the 1980s

Essay – Nick Baker

1990s

Sensational Cities

Essay – John J. Curley

1990s

Brilliant! New Art from London, Walker Art Center, 1995–96

Essay – Richard Flood

1990s

Real/Life: New British Art and the Reception of Contemporary British Art in Japan

Essay – Kajiya Kenji

1990s

With the Void, Full Powers: Anish Kapoor and the Venice Biennale of 1990

Essay – Rakhee Balaram

1990s

Disorienting the Art World: Mona Hatoum in Istanbul

Essay – Jo Applin

Editorial

Editorial – British Art Studies Editorial Group

Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

Article – Anne Nellis Richter

Still Invisible?

Conversation Piece – Patricia de Montfort, Robyne Erica Calvert

Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

Article – Roxane Sperber, Jens Stenger

High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

Article – John Chu

Looking for “the Longitude”

Look First – Katy Barrett

Carnation, Lily, Lily, Rose and the process of painting

One Object – Rebecca Hellen, Elaine Kilmurray

Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

Article – Matthew Craske

John Singleton Copley and the World of Prints

Audio-Visual Conversation – Jules Prown, Mark Hallett

Yale Center for British Art

Cover Collaboration – David Lewis

Editorial

Editorial – British Art Studies Editorial Group

There's No Such Thing as British Art

Conversation Piece – Richard Johns

“A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

Article – Georgina Cole

Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

Article – Giulia Smith

Haptic Blackness: The Double Life of an 18th-century Bust

One Object – Cyra Levenson, Chi-ming Yang, Ken Gonzales-Day

Arts and Crafts Painting: The Political Agency of Things

Article – Morna O'Neill

Deakin: Double Exposures

Look First – Paul Rousseau, James Boaden, Jonathan Law

Pregnant Wit: ingegno in Renaissance England

Article – Alexander Marr

Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

Article – Kara Fiedorek

Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

Article – Catherine Spencer

British Art Show 8

Cover Collaboration – Roger Malbert