Article index

Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard

Article – Sam Smiles

Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard

Masculinity and Isolation in the Self-Portraits of L.S. Lowry

Article – Ella Nixon

Masculinity and Isolation in the Self-Portraits of L.S. Lowry

Sailors’ Valentines: Shell Mosaics from Victorian Barbados

Article – Molly Duggins

Sailors’ Valentines: Shell Mosaics from Victorian Barbados

Sugar Time: Reactivating Memories of Scottish Empire through Contemporary Art and Performance

Article – Emma Bond

Sugar Time: Reactivating Memories of Scottish Empire through Contemporary Art and Performance

Cutting and Pasting: The Print Room at Woodhall Park

Article – Kate Retford

Cutting and Pasting: The Print Room at Woodhall Park

Is the Painting a Grave?
John Everett Millais and the Queer Refusals of Victorian Art

Article – Ariel Kline

Is the Painting a Grave? John Everett Millais and the Queer Refusals of Victorian Art

The Rise and Fall of the “Clerks”: British Art History, 1950–1970

Article – Hans C. Hönes

The Rise and Fall of the “Clerks”: British Art History, 1950–1970

Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

Article – Melissa L. Gustin

Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

Article – Sam Gathercole

The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

Article – Elizabeth Fisher

Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

Article – Luke Gartlan

Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

Article – Margaret Iversen

Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

The Black Prince, the Trinity, and the Art of Commemoration

Article – Sophie Kelly

The Black Prince, the Trinity, and the Art of Commemoration

Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

Article – Wendy McGlashan

Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

Article – Margaret J. Schmitz

Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

Introduction: “Watery Relations”

Article – Shalini Le Gall, Justin McCann

Introduction: “Watery Relations”

“The Surrounding Great Work”: Memory, Erasure, and Curating the Built Environment of the West India Docks, 1802–2022

Article – Aleema Gray, Danielle Thom

“The Surrounding Great Work”: Memory, Erasure, and Curating the Built Environment of the West India Docks, 1802–2022

Ships and Souvenirs: Itineraries of the Golden Jubilee

Article – Shalini Le Gall

Ships and Souvenirs: Itineraries of the Golden Jubilee

Printed Ecologies: William Morris and the Rural Thames

Article – Sarah Mead Leonard

Printed Ecologies: William Morris and the Rural Thames

“The River Seemed Almost Turned to Blood”: The Tooley Street Fire

Article – Nancy Rose Marshall

“The River Seemed Almost Turned to Blood”: The Tooley Street Fire

Women in Whistler’s Images of Chelsea and the Thames

Article – Patricia de Montfort

Women in Whistler’s Images of Chelsea and the Thames

Whistler and Battersea: The Aesthetics of Erasure and Redevelopment

Article – Jon Newman

Whistler and Battersea: The Aesthetics of Erasure and Redevelopment

“Over London at Night”: Gasworks, Ballooning, and the Visual Gas Field

Article – Jennifer Tucker

“Over London at Night”: Gasworks, Ballooning, and the Visual Gas Field

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Article – Sarah Bochicchio

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Microorganisms, Microscopes, and Victorian Design Theories

Article – Ariane Varela Braga

Microorganisms, Microscopes, and Victorian Design Theories

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Article – Max Bryant

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Article – R. Ruthie Dibble, Joseph Mizhakii Zordan

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Article – Patricia F. Ferguson

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Article – Freya Gowrley

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Serving as Ornament:
The Representation of African People in Early Modern British Interiors and Gardens

Article – Hannah Lee

Serving as Ornament: The Representation of African People in Early Modern British Interiors and Gardens

Ruth Ellis’s Suit

Article – Lynda Nead

Ruth Ellis’s Suit

Colonial Trash to Island Treasure: The Chaney of St. Croix

Article – Jessica Priebe

Colonial Trash to Island Treasure: The Chaney of St. Croix

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Article – Ianna Recco

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)

Article – Liz Bruchet, Ming Tiampo

Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)

“Everything I Learnt About Activism I Learnt in King’s Lynn”: Gustav Metzger’s Formative Years in King’s Lynn

Article – Jonathan P. Watts

“Everything I Learnt About Activism I Learnt in King’s Lynn”: Gustav Metzger’s Formative Years in King’s Lynn

Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji

Article – Allison K. Young

Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji

Millais’s Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

Article – Mark A. Cheetham

Millais’s Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

John McHale, Marshall McLuhan, and the Collage “Ikon”

Article – Rachel Stratton

John McHale, Marshall McLuhan, and the Collage “Ikon”

Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture

Article – Rebecca Whiteley

Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture

Women in Fur: Empire, Power, and Play in a Victorian Photography Album

Article – Sarah Parsons

Women in Fur: Empire, Power, and Play in a Victorian Photography Album

The Lost Cause of British Constructionism: A Two-Act Tragedy

Article – Sam Gathercole

The Lost Cause of British Constructionism: A Two-Act Tragedy

Aubrey Beardsley in the Russian “World of Art”

Article – Sasha Dovzhyk

Aubrey Beardsley in the Russian “World of Art”

Making a Case: Daguerreotypes

Article – Steve Edwards

Making a Case: Daguerreotypes

Introduction

Article – Catharine MacLeod, Alexander Marr

Introduction

An Early Impresa Miniature: Man in an Armillary Sphere (1569)

Article – Alexander Marr

An Early Impresa Miniature: Man in an Armillary Sphere (1569)

Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

Article – Christina J. Faraday

Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

Article – Karin Leonhard

Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

Article – William Aslet

Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

A Portrait of the Miniaturist as a Young Man:
Nicholas Hilliard and the Painters of 1560s London

Article – Edward Town

A Portrait of the Miniaturist as a Young Man: Nicholas Hilliard and the Painters of 1560s London

Isaac Oliver and the Essex Circle

Article – Catharine MacLeod

Isaac Oliver and the Essex Circle

Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

Article – Polly Saltmarsh

Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

Article – Annemie Leemans

A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

Article – Christine Slottved Kimbriel, Paola Ricciardi

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

Article – Helen Pierce

“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

Article – Anna Cooper, Martin Myrone

The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

Bert Hardy: Exercises with Photography and Film

Article – Lynda Nead, John Wyver

Bert Hardy: Exercises with Photography and Film

Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

Article – Matthew Beaumont

Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

Article – Aviva Burnstock, Sarah MacDougall

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

Article – David Hansen

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

Article – Samuel Bibby

“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

Article – Nathan O'Donnell

“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London

The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

Article – Kirsty Sinclair Dootson

The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

Article – Catherine Roach

The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Article – Katherine Fein

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Instant Malaysia: Imagining a Nation at the Commonwealth Institute

Article – Kelvin Chuah

Instant Malaysia: Imagining a Nation at the Commonwealth Institute

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

Article – Sarena Abdullah

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

Article – Claire Wintle

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

Article – Lotte Hoek, Sanjukta Sunderason

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

“Exciting a Wider Interest in the Art of India”
The 1931 Burlington Fine Arts Club Exhibition

Article – Brinda Kumar

“Exciting a Wider Interest in the Art of India” The 1931 Burlington Fine Arts Club Exhibition

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

Article – Alice Correia

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

Letters from the Home Front:
The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Article – Sophie Hatchwell

Letters from the Home Front: The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Cumbrian Cosmopolitanisms:
Li Yuan-chia and Friends

Article – Hammad Nasar

Cumbrian Cosmopolitanisms: Li Yuan-chia and Friends

Whatever Happened to Delia Derbyshire?
Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Article – David Butler

Whatever Happened to Delia Derbyshire? Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Landscape Then and Now

Article – Tim Barringer

Landscape Then and Now

Fire-Stick Picturesque:
Landscape Art and Early Colonial Tasmania

Article – Julia Lum

Fire-Stick Picturesque: Landscape Art and Early Colonial Tasmania

Paul Nash’s Geological Enigma

Article – Anna Reid

Paul Nash’s Geological Enigma

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

Article – Anna Falcini

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

On Place and Displacement:
Benjamin Henry Latrobe and the Immigrant Landscape

Article – Julia A. Sienkewicz

On Place and Displacement: Benjamin Henry Latrobe and the Immigrant Landscape

Liquid Landscape: Southam, Constable, and the Art of the Pond

Article – Stephen Daniels

Liquid Landscape: Southam, Constable, and the Art of the Pond

The Anthroposcenic: Landscape in the Anthroposcene

Article – David Matless

The Anthroposcenic: Landscape in the Anthroposcene

Landscaping Islands:
Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Article – Gill Perry

Landscaping Islands: Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Outside In: Reflections of British Landscape in the Long Anthropocene

Article – Mark A. Cheetham

Outside In: Reflections of British Landscape in the Long Anthropocene

Lines in the Landscape:
Ruins and Reveals in Britain

Article – Corinne Silva, Val Williams

Lines in the Landscape: Ruins and Reveals in Britain

The “Connoisseur’s Panorama”:
Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

Article – Greg Smith

The “Connoisseur’s Panorama”: Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

1973 and the Future of Landscape

Article – Nicholas Alfrey

1973 and the Future of Landscape

Introduction:
The Alma-Tademas’ Studio-Houses and Beyond

Article – Elizabeth Prettejohn, Peter Trippi

Introduction: The Alma-Tademas’ Studio-Houses and Beyond

What Do We Want from Artists’ Houses?
A Reflection

Article – Christopher Reed

What Do We Want from Artists’ Houses? A Reflection

The Resistant Materiality of Frederic Leighton’s Arab Hall

Article – Mary Roberts

The Resistant Materiality of Frederic Leighton’s Arab Hall

“A Door of Hell”:
Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

Article – Gregory Salter

“A Door of Hell”: Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

“As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

Article – Damian Taylor

“As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

Aubrey Williams: Abstraction in Diaspora

Article – Kobena Mercer

Aubrey Williams: Abstraction in Diaspora

“The Art Game”:
Television, Monitor, and British Art at the turn of the 1960s

Article – Michael Clegg

“The Art Game”: Television, Monitor, and British Art at the turn of the 1960s

“The Snob’s Chaldron”: Alexander Davison and the Private Patronage of History Painting in Early Nineteenth-Century Britain

Article – Katherine Gazzard

“The Snob’s Chaldron”: Alexander Davison and the Private Patronage of History Painting in Early Nineteenth-Century Britain

A Photobook of the Shimmer:
Pearl Fisheries, Photography, and British Colonialism in South Asia

Article – Natasha Eaton

A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia

Elegant Engravings of the Pacific:
Illustrations of James Cook’s Expeditions in British Eighteenth-Century Magazines

Article – Jocelyn Anderson

Elegant Engravings of the Pacific: Illustrations of James Cook’s Expeditions in British Eighteenth-Century Magazines

Medieval Invention and its Potencies

Article – Paul Binski

Medieval Invention and its Potencies

Innovation in English Gothic Architecture:
Risks, Impediments, and Opportunities

Article – Roger Stalley

Innovation in English Gothic Architecture: Risks, Impediments, and Opportunities

Imagining Invention:
The Character of the “Gothic architect” and England, 1200–1400

Article – James Hillson

Imagining Invention: The Character of the “Gothic architect” and England, 1200–1400

Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral

Article – Alexandrina Buchanan, Nicholas Webb

Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral

Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England

Article – Helen Lunnon

Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England

Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster

Article – Laura Slater

Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster

The Englishness of English Sedilia

Article – James Alexander Cameron

The Englishness of English Sedilia

Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland

Article – Jessica Barker

Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland

In the Vineyard of the Lord:
Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges

Article – Veronika Decker

In the Vineyard of the Lord: Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges

The Temple of Justice and the Key of David:
Anachronism and Authority in the Chichester Seal Matrix

Article – Lloyd de Beer

The Temple of Justice and the Key of David: Anachronism and Authority in the Chichester Seal Matrix

Resonance and Reuse:
The Fifteenth-Century Transformation of a Late Romanesque Vita Christi

Article – Kristen Collins

Resonance and Reuse: The Fifteenth-Century Transformation of a Late Romanesque Vita Christi

Wording the Wound Man

Article – Jack Hartnell

Wording the Wound Man

Between a Rock and a Blue Chair:
David Hockney’s Rocky Mountains and Tired Indians (1965)

Article – Martin Hammer

Between a Rock and a Blue Chair: David Hockney’s Rocky Mountains and Tired Indians (1965)

Drawing after the Antique at the British Museum, 1809–1817:
“Free” Art Education and the Advent of the Liberal State

Article – Martin Myrone

Drawing after the Antique at the British Museum, 1809–1817: “Free” Art Education and the Advent of the Liberal State

A “Modern Rendezvous” in London:
Painters, Pilots, and Edward Wadsworth’s A Short Flight (1914)

Article – Bernard Vere

A “Modern Rendezvous” in London: Painters, Pilots, and Edward Wadsworth’s A Short Flight (1914)

Lowry and the Local

Article – Anne M. Wagner

Lowry and the Local

The Temporal Dimensions of the London Art Auction, 1780–1835

Article – Matthew Lincoln, Abram Fox

The Temporal Dimensions of the London Art Auction, 1780–1835

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Article – Catherine Roach

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

Article – Sean Robert Willcock

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Article – Vajdon Sohaili

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Article – Kate Grandjouan

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

Article – Anne Nellis Richter

Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

Article – Roxane Sperber, Jens Stenger

Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

Article – John Chu

High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

Article – Matthew Craske

Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

“A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

Article – Georgina Cole

“A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

Article – Giulia Smith

Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

Arts and Crafts Painting: The Political Agency of Things

Article – Morna O'Neill

Arts and Crafts Painting: The Political Agency of Things

Pregnant Wit: ingegno in Renaissance England

Article – Alexander Marr

Pregnant Wit: ingegno in Renaissance England

Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

Article – Kara Fiedorek

Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

Article – Catherine Spencer

Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

126 Results

Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard

Masculinity and Isolation in the Self-Portraits of L.S. Lowry

Sailors’ Valentines: Shell Mosaics from Victorian Barbados

Sugar Time: Reactivating Memories of Scottish Empire through Contemporary Art and Performance

Cutting and Pasting: The Print Room at Woodhall Park

Is the Painting a Grave?John Everett Millais and the Queer Refusals of Victorian Art

The Rise and Fall of the “Clerks”: British Art History, 1950–1970

Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

The Black Prince, the Trinity, and the Art of Commemoration

Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

Introduction: “Watery Relations”

“The Surrounding Great Work”: Memory, Erasure, and Curating the Built Environment of the West India Docks, 1802–2022

Ships and Souvenirs: Itineraries of the Golden Jubilee

Printed Ecologies: William Morris and the Rural Thames

“The River Seemed Almost Turned to Blood”: The Tooley Street Fire

Women in Whistler’s Images of Chelsea and the Thames

Whistler and Battersea: The Aesthetics of Erasure and Redevelopment

“Over London at Night”: Gasworks, Ballooning, and the Visual Gas Field

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Microorganisms, Microscopes, and Victorian Design Theories

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Serving as Ornament:The Representation of African People in Early Modern British Interiors and Gardens

Ruth Ellis’s Suit

Colonial Trash to Island Treasure: The Chaney of St. Croix

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)

“Everything I Learnt About Activism I Learnt in King’s Lynn”: Gustav Metzger’s Formative Years in King’s Lynn

Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji

Millais’s Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

John McHale, Marshall McLuhan, and the Collage “Ikon”

Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture

Women in Fur: Empire, Power, and Play in a Victorian Photography Album

The Lost Cause of British Constructionism: A Two-Act Tragedy

Aubrey Beardsley in the Russian “World of Art”

Making a Case: Daguerreotypes

Introduction

An Early Impresa Miniature: Man in an Armillary Sphere (1569)

Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

A Portrait of the Miniaturist as a Young Man:Nicholas Hilliard and the Painters of 1560s London

Isaac Oliver and the Essex Circle

Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

Bert Hardy: Exercises with Photography and Film

Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

“The Assemblage of Specimens”:The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:Jack B. Yeats’s Reception in London

The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Instant Malaysia: Imagining a Nation at the Commonwealth Institute

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

“Exciting a Wider Interest in the Art of India”The 1931 Burlington Fine Arts Club Exhibition

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

Letters from the Home Front:The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Cumbrian Cosmopolitanisms:Li Yuan-chia and Friends

Whatever Happened to Delia Derbyshire?Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Landscape Then and Now

Fire-Stick Picturesque:Landscape Art and Early Colonial Tasmania

Paul Nash’s Geological Enigma

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

On Place and Displacement:Benjamin Henry Latrobe and the Immigrant Landscape

Liquid Landscape: Southam, Constable, and the Art of the Pond

Is the Painting a Grave?
John Everett Millais and the Queer Refusals of Victorian Art

Serving as Ornament:
The Representation of African People in Early Modern British Interiors and Gardens

A Portrait of the Miniaturist as a Young Man:
Nicholas Hilliard and the Painters of 1560s London

“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

“Exciting a Wider Interest in the Art of India”
The 1931 Burlington Fine Arts Club Exhibition

Letters from the Home Front:
The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Cumbrian Cosmopolitanisms:
Li Yuan-chia and Friends

Whatever Happened to Delia Derbyshire?
Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Fire-Stick Picturesque:
Landscape Art and Early Colonial Tasmania

On Place and Displacement:
Benjamin Henry Latrobe and the Immigrant Landscape

Landscaping Islands:
Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Lines in the Landscape:
Ruins and Reveals in Britain

The “Connoisseur’s Panorama”:
Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

Introduction:
The Alma-Tademas’ Studio-Houses and Beyond

What Do We Want from Artists’ Houses?
A Reflection

“A Door of Hell”:
Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

“The Art Game”:
Television, Monitor, and British Art at the turn of the 1960s

A Photobook of the Shimmer:
Pearl Fisheries, Photography, and British Colonialism in South Asia

Elegant Engravings of the Pacific:
Illustrations of James Cook’s Expeditions in British Eighteenth-Century Magazines

Innovation in English Gothic Architecture:
Risks, Impediments, and Opportunities

Imagining Invention:
The Character of the “Gothic architect” and England, 1200–1400

In the Vineyard of the Lord:
Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges

The Temple of Justice and the Key of David:
Anachronism and Authority in the Chichester Seal Matrix

Resonance and Reuse:
The Fifteenth-Century Transformation of a Late Romanesque Vita Christi

Between a Rock and a Blue Chair:
David Hockney’s Rocky Mountains and Tired Indians (1965)

Drawing after the Antique at the British Museum, 1809–1817:
“Free” Art Education and the Advent of the Liberal State

A “Modern Rendezvous” in London:
Painters, Pilots, and Edward Wadsworth’s A Short Flight (1914)