Article index
Search British Art Studies articles using the keyword search facility. For example, “Gainsborough” or “sculpture”.
61 Results
-
Innovation in English Gothic Architecture:
Risks, Impediments, and OpportunitiesArticle – Roger Stalley
-
Editorial
Editorial – Jessica Berenbeim, Sandy Heslop
-
Handling Digital Objects
Introduction – Lloyd de Beer, Naomi Speakman
-
Wording the Wound Man
Article – Jack Hartnell
-
Medieval Invention and its Potencies
Article – Paul Binski
-
The Englishness of English Sedilia
Article – James Alexander Cameron
-
Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland
Article – Jessica Barker
-
Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England
Article – Helen Lunnon
-
Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster
Article – Laura Slater
-
The Temple of Justice and the Key of David:
Anachronism and Authority in the Chichester Seal MatrixArticle – Lloyd de Beer
-
Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral
Article – Alexandrina Buchanan, Nicholas Webb
-
Disciplining the Digital:
Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art HistoryConversation Piece – Amy Jeffs
-
Imagining Invention:
The Character of the “Gothic architect” and England, 1200–1400Article – James Hillson
-
Resonance and Reuse:
The Fifteenth-Century Transformation of a Late Romanesque Vita ChristiArticle – Kristen Collins
-
In the Vineyard of the Lord:
Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English CollegesArticle – Veronika Decker
-
The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital
Article – Sam Gathercole
-
Instant Malaysia: Imagining a Nation at the Commonwealth Institute
Article – Kelvin Chuah
-
John McHale, Marshall McLuhan, and the Collage “Ikon”
Article – Rachel Stratton
-
New Approaches to St Stephen’s Chapel, Palace of Westminster
One Object – Tim Ayers, John Cooper
-
Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture
Article – Matthew Craske
-
Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays
Article – Catherine Roach
-
The Lost Cause of British Constructionism: A Two-Act Tragedy
Article – Sam Gathercole
-
Monuments Must Fall
Conversation Piece – Edwin Coomasaru
-
The Resistant Materiality of Frederic Leighton’s Arab Hall
Article – Mary Roberts
-
on the side of the disease and not the cure
Cover Collaboration – James Richards, Sarah Perks
-
High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds
Article – John Chu
-
Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s
Essay – Courtney J. Martin
-
Microorganisms, Microscopes, and Victorian Design Theories
Article – Ariane Varela Braga
-
Taking Space for Asian Diaspora Narratives
Cover Collaboration – Annie Jael Kwan
-
Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute
Article – Claire Wintle
-
Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961
Article – Giulia Smith
-
Cutting and Pasting: The Print Room at Woodhall Park
Article – Kate Retford
-
“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute
Article – Sarena Abdullah
-
On Place and Displacement:
Benjamin Henry Latrobe and the Immigrant LandscapeArticle – Julia A. Sienkewicz
-
Landscape Then and Now
Article – Tim Barringer
-
Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide
Article – Kara Fiedorek
-
Landscaping Islands:
Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British ArtArticle – Gill Perry
-
Ruth Ellis’s Suit
Article – Lynda Nead
-
“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in LondonArticle – Nathan O'Donnell
-
Elegant Engravings of the Pacific:
Illustrations of James Cook’s Expeditions in British Eighteenth-Century MagazinesArticle – Jocelyn Anderson
-
Transatlantic Transactions and the Domestic Market:
Agnew’s Stock Books in 1894–1895Objects in Motion Article – Barbara Pezzini, Alan Crookham
-
Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America
Objects in Motion Article – Sria Chatterjee
-
Lowry and the Local
Article – Anne M. Wagner
-
Arts and Crafts Painting: The Political Agency of Things
Article – Morna O'Neill
-
Making a Case: Daguerreotypes
Article – Steve Edwards
-
A Photobook of the Shimmer:
Pearl Fisheries, Photography, and British Colonialism in South AsiaArticle – Natasha Eaton
-
The “Connoisseur’s Panorama”:
Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern CityArticle – Greg Smith
-
Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London
Article – Lotte Hoek, Sanjukta Sunderason
-
Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture
Article – David Hansen
-
Bert Hardy: Exercises with Photography and Film
Article – Lynda Nead, John Wyver
-
Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783
Article – Kate Grandjouan
-
Aubrey Beardsley in the Russian “World of Art”
Article – Sasha Dovzhyk
-
“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England
Article – Helen Pierce
-
The Black Prince, the Trinity, and the Art of Commemoration
Article – Sophie Kelly
-
The Rise and Fall of the “Clerks”: British Art History, 1950–1970
Article – Hans C. Hönes
-
Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography
Article – Luke Gartlan
-
Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics
Article – Elizabeth Fisher
-
Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)
Article – Liz Bruchet, Ming Tiampo
-
Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds
Article – R. Ruthie Dibble, Joseph Mizhakii Zordan
-
The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. WattsArticle – Kirsty Sinclair Dootson
-
Lines in the Landscape:
Ruins and Reveals in BritainArticle – Corinne Silva, Val Williams