Article index

15 Results

• Oil Aesthetics and Imperial Violence

  Cover Collaboration – Jala Wahid, Edwin Coomasaru

  Oil Aesthetics and Imperial Violence
• Monuments Must Fall

  Conversation Piece – Edwin Coomasaru

  Monuments Must Fall
• Cutting and Pasting: The Print Room at Woodhall Park

  Article – Kate Retford

  Cutting and Pasting: The Print Room at Woodhall Park
• Is the Painting a Grave?
  John Everett Millais and the Queer Refusals of Victorian Art

  Article – Ariel Kline

  Is the Painting a Grave?<br>John Everett Millais and the Queer Refusals of Victorian Art
• The Rise and Fall of the “Clerks”: British Art History, 1950–1970

  Article – Hans C. Hönes

  The Rise and Fall of the “Clerks”: British Art History, 1950–1970
• Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

  Article – Melissa L. Gustin

  Do <i>Sleeping Shepherds</i> Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism
• The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

  Article – Sam Gathercole

  The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital
• Greenham Common's Archival Webs: Towards a Virtual Feminist Museum

  Animating the Archive – Alexandra Kokoli

  Greenham Common's Archival Webs: Towards a Virtual Feminist Museum
• The Market Woman’s Story

  Cover Collaboration – Jacqueline Bishop

  <i>The Market Woman’s Story</i>
• Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

  Article – Elizabeth Fisher

  Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics
• Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

  Article – Luke Gartlan

  Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography
• Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

  Article – Margaret Iversen

  Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley
• The Black Prince, the Trinity, and the Art of Commemoration

  Article – Sophie Kelly

  The Black Prince, the Trinity, and the Art of Commemoration
• Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

  Article – Wendy McGlashan

  Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh
• Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

  Article – Margaret J. Schmitz

  Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells