Article index

11 Results

• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• There's No Such Thing as British Art

  Conversation Piece – Richard Johns

  There's No Such Thing as British Art
• “A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

  Article – Georgina Cole

  “A beautiful assemblage of an interesting nature” : Gainsborough’s <i>Charity Relieving Distress</i> and the Reconciliation of High and Low Art
• Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

  Article – Giulia Smith

  Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961
• Haptic Blackness: The Double Life of an 18th-century Bust

  One Object – Cyra Levenson, Chi-ming Yang, Ken Gonzales-Day

  Haptic Blackness: The Double Life of an 18th-century Bust
• Arts and Crafts Painting: The Political Agency of Things

  Article – Morna O'Neill

  Arts and Crafts Painting: The Political Agency of Things
• Deakin: Double Exposures

  Look First – Paul Rousseau, James Boaden, Jonathan Law

  Deakin: Double Exposures
• Pregnant Wit: ingegno in Renaissance England

  Article – Alexander Marr

  Pregnant Wit: <i>ingegno</i> in Renaissance England
• Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

  Article – Kara Fiedorek

  Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide
• Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

  Article – Catherine Spencer

  Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s
• British Art Show 8

  Cover Collaboration – Roger Malbert

  British Art Show 8