Article index

Search British Art Studies articles using the keyword search facility. For example, “Gainsborough” or “sculpture”.

28 Results

on the side of the disease and not the cure

Cover Collaboration – James Richards, Sarah Perks

on the side of the disease and not the cure
“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

Article – Samuel Bibby

“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain
“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

Article – Nathan O'Donnell

“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London
The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

Article – Kirsty Sinclair Dootson

The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts
The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

Article – Catherine Roach

The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London
“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Article – Katherine Fein

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting
London, Asia, Exhibitions, Histories

Editorial – Hammad Nasar, Sarah Victoria Turner

London, Asia, Exhibitions, Histories
Exhibitions, Histories: Showing, Telling, Seeing and Beyond

Introduction – Sonal Khullar

Exhibitions, Histories: Showing, Telling, Seeing and Beyond
Why Exhibition Histories?

Conversation Piece – Saloni Mathur

Why Exhibition Histories?
Exhibitions in Print

Interview – Sharmini Pereira, Sneha Ragavan

Exhibitions in Print
Curating the Cosmopolis

Interview – Iwona Blazwick, Rattanamol Singh Johal

Curating the Cosmopolis
Unlearning the Modern

Interview – David Elliott, Hilary Floe

Unlearning the Modern
Instant Malaysia: Imagining a Nation at the Commonwealth Institute

Article – Kelvin Chuah

Instant Malaysia: Imagining a Nation at the Commonwealth Institute
“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

Article – Sarena Abdullah

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute
Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

Article – Claire Wintle

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute
Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

Article – Lotte Hoek, Sanjukta Sunderason

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London
“Exciting a Wider Interest in the Art of India”
The 1931 Burlington Fine Arts Club Exhibition

Article – Brinda Kumar

“Exciting a Wider Interest in the Art of India” The 1931 Burlington Fine Arts Club Exhibition
Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

Article – Alice Correia

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s
Taking Space for Asian Diaspora Narratives

Cover Collaboration – Annie Jael Kwan

Taking Space for Asian Diaspora Narratives
The Kitchen Sink Too

Cover Collaboration – Abi Shapiro

The Kitchen Sink Too
1964: A Year of Exhibitions

Animating the Archive – Stephen Bann

1964: A Year of Exhibitions
Transatlantic Transactions and the Domestic Market:
Agnew’s Stock Books in 1894–1895

Objects in Motion Article – Barbara Pezzini, Alan Crookham

Transatlantic Transactions and the Domestic Market: Agnew’s Stock Books in 1894–1895
Letters from the Home Front:
The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Article – Sophie Hatchwell

Letters from the Home Front: The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945
Cumbrian Cosmopolitanisms:
Li Yuan-chia and Friends

Article – Hammad Nasar

Cumbrian Cosmopolitanisms: Li Yuan-chia and Friends
Whatever Happened to Delia Derbyshire?
Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Article – David Butler

Whatever Happened to Delia Derbyshire? Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity
Delia Derbyshire: The Myths and the Legendary Tapes

Film – Caroline Catz

Delia Derbyshire: The Myths and the Legendary Tapes
Theatres of War: Experimental Performance in London, 1914–1918 and Beyond

Introduction – Grace Brockington

Theatres of War: Experimental Performance in London, 1914–1918 and Beyond
The Ballet of the Nations

Film – Impermanence

The Ballet of the Nations

28 Results

on the side of the disease and not the cure

“The Assemblage of Specimens”:The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:Jack B. Yeats’s Reception in London

The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

London, Asia, Exhibitions, Histories

Exhibitions, Histories: Showing, Telling, Seeing and Beyond

Why Exhibition Histories?

Exhibitions in Print

Curating the Cosmopolis

Unlearning the Modern

Instant Malaysia: Imagining a Nation at the Commonwealth Institute

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

“Exciting a Wider Interest in the Art of India”The 1931 Burlington Fine Arts Club Exhibition

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

Taking Space for Asian Diaspora Narratives

The Kitchen Sink Too

1964: A Year of Exhibitions

Transatlantic Transactions and the Domestic Market:Agnew’s Stock Books in 1894–1895

Letters from the Home Front:The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Cumbrian Cosmopolitanisms:Li Yuan-chia and Friends

Whatever Happened to Delia Derbyshire?Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

Delia Derbyshire: The Myths and the Legendary Tapes

Theatres of War: Experimental Performance in London, 1914–1918 and Beyond

The Ballet of the Nations

“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

“Exciting a Wider Interest in the Art of India”
The 1931 Burlington Fine Arts Club Exhibition

Transatlantic Transactions and the Domestic Market:
Agnew’s Stock Books in 1894–1895

Letters from the Home Front:
The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

Cumbrian Cosmopolitanisms:
Li Yuan-chia and Friends

Whatever Happened to Delia Derbyshire?
Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity