Issue Index

Victor Ehikhamenor, Holy, Holy, Holy King (detail), 2018, rosary beads and bronze statuettes on canvas, 116 x 71 in.

Digital image courtesy of Victor Ehikhamenor (all rights reserved).

Angela Chan, Moss Rain Paradox (project preview), video still, 2020.

Digital image courtesy of Angela Chan (CC BY-NC 4.0).

Isaac Oliver, Sir Edward Herbert, later 1st Lord Herbert of Cherbury (detail of visible light image), ca. 1613-14, 18.1 x 22.9 cm. Powis Castle, National Trust (NT 1183954).

Digital image courtesy of Hamilton Kerr Institute.

Bill Brandt, On the Platform of an Underground Station (recto), 1940, printed ca. 1948, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Server Farms Pines, 2019.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Ada Hao, Still from "like a flower paddle my teeth" (7:50), 2019.

Digital image courtesy of Ada Hao.

Margaret Mellis, Red Flower (detail), 1958, oil on board, 39.4 x 39.1 cm. Collection of Museums Sheffield (VIS.4951).

Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Museums Sheffied (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth, Drawings in Time (Engineers Carpet) (detail), 9 –12 February 2018 at 4.30 pm, series of 4 aerial photograph of site-specific drawing, archival gicleé print on hahnemuhle photo rag paper, 40.5 x 61 cm sheet size.

Digital image courtesy of Pioneer Art Residency (2018) Khushab, in collaboration with Canvas Gallery, Karachi.

Jonathan Law, Pattern, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Gypsy”, Chisholm's nickname for Elsie Knocker, Pervyse, 1915.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, Ivory Staff Terminal from Alcester, 11th Century, ivory, 14 x 5 cm. Collection of the British Museum (1903,0323.1).

Digital image courtesy of Trustees of the British Museum

Francis Skidmore, Wrought Iron Door Fitting, Coventry, 1865-70, photograph. Victoria & Albert Museum (E.416-2006)

Digital image courtesy of Victoria & Albert Museum

Martin Parr, New Brighton, England, UK, from 'The Last Resort', 1983–85

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON6977)

Simon Starling, Infestation Piece (Musselled Moore), 2006–8, steel and mussels, 162.6 x 76.2 x 76.2 cm

Digital image courtesy of the artist

David Lewis, Fan, 2016

Linder, Diagrams of Love: Marriage of Eyes (detail), 2015

Digital image courtesy of Linder Sterling / Dovecot Tapestry Studio, 2015. Photo : Michael Wolchover / Stuart Shave/Modern Art and Dovecot Studios Ltd.