Redefining the British Decorative Arts

Unhomely: Redefining the British Decorative Arts

Introduction – Iris Moon

Unhomely: Redefining the British Decorative Arts
England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Article – Sarah Bochicchio

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts
Microorganisms, Microscopes, and Victorian Design Theories

Article – Ariane Varela Braga

Microorganisms, Microscopes, and Victorian Design Theories
Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Article – Max Bryant

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715
Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Article – R. Ruthie Dibble, Joseph Mizhakii Zordan

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds
Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Article – Patricia F. Ferguson

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”
Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Article – Freya Gowrley

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space
Serving as Ornament:
The Representation of African People in Early Modern British Interiors and Gardens

Article – Hannah Lee

Serving as Ornament: The Representation of African People in Early Modern British Interiors and Gardens
Ruth Ellis’s Suit

Article – Lynda Nead

Ruth Ellis’s Suit
Colonial Trash to Island Treasure: The Chaney of St. Croix

Article – Jessica Priebe

Colonial Trash to Island Treasure: The Chaney of St. Croix
In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Article – Ianna Recco

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London
Wild Porcelain

Cover Collaboration – Michelle Erickson

Wild Porcelain
The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art

One Object – Iris Moon

The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art
Unpacking Wedgwood: An Interview with Roberto Visani

Interview – Caitlin Meehye Beach, Roberto Visani

Unpacking Wedgwood: An Interview with Roberto Visani
What’s in a Label?
Revising Narratives of
the Decorative Arts in
Museum Displays

Virtual Exhibition – Iris Moon

What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
Another Crossing: Artists Revisit the Mayflower Voyage

In the Artist’s Words – Glenn Adamson

Another Crossing: Artists Revisit the Mayflower Voyage
In Sparkling Company:
Presenting Eighteenth-Century
Britain in Western New York State

Look First – Christopher Maxwell

In Sparkling Company: Presenting Eighteenth-Century Britain in Western New York State

Introduction Unhomely: Redefining the British Decorative Arts Iris Moon

Imprint

Title: British Art Studies

ISSN: 2058-5462

Publisher: Paul Mellon Centre for Studies in British Art and Yale Center for British Art

Journal DOI: https://doi.org/10.17658/issn.2058-5462/issue-21

Downloads: PDF format, XML format

Special Issue

Issue 21 – November 2021

Redefining the British Decorative Arts

Unhomely: Redefining the British Decorative Arts

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Microorganisms, Microscopes, and Victorian Design Theories

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Serving as Ornament:
The Representation of African People in Early Modern British Interiors and Gardens

Ruth Ellis’s Suit

Colonial Trash to Island Treasure: The Chaney of St. Croix

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Wild Porcelain

The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art

Unpacking Wedgwood: An Interview with Roberto Visani

What’s in a Label?
Revising Narratives of
the Decorative Arts in
Museum Displays

Another Crossing: Artists Revisit the Mayflower Voyage

In Sparkling Company:
Presenting Eighteenth-Century
Britain in Western New York State

Imprint

Unhomely: Redefining the British Decorative Arts

England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

Microorganisms, Microscopes, and Victorian Design Theories

Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

Serving as Ornament:The Representation of African People in Early Modern British Interiors and Gardens

Ruth Ellis’s Suit

Colonial Trash to Island Treasure: The Chaney of St. Croix

In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

Wild Porcelain

The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art

Unpacking Wedgwood: An Interview with Roberto Visani

What’s in a Label?Revising Narratives ofthe Decorative Arts inMuseum Displays

Another Crossing: Artists Revisit the Mayflower Voyage

In Sparkling Company:Presenting Eighteenth-CenturyBritain in Western New York State

Imprint

Serving as Ornament:
The Representation of African People in Early Modern British Interiors and Gardens

What’s in a Label?
Revising Narratives of
the Decorative Arts in
Museum Displays

In Sparkling Company:
Presenting Eighteenth-Century
Britain in Western New York State