British Art Studies – Issue 24, March 2023 | Issue Index | Issues

Oil Aesthetics and Imperial Violence

Cover Collaboration – Jala Wahid, Edwin Coomasaru

Oil Aesthetics and Imperial Violence
Monuments Must Fall

Conversation Piece – Edwin Coomasaru

Monuments Must Fall
Cutting and Pasting: The Print Room at Woodhall Park

Article – Kate Retford

Cutting and Pasting: The Print Room at Woodhall Park
Is the Painting a Grave?
John Everett Millais and the Queer Refusals of Victorian Art

Article – Ariel Kline

Is the Painting a Grave?<br>John Everett Millais and the Queer Refusals of Victorian Art
The Rise and Fall of the “Clerks”: British Art History, 1950–1970

Article – Hans C. Hönes

The Rise and Fall of the “Clerks”: British Art History, 1950–1970
Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

Article – Melissa L. Gustin

Do <i>Sleeping Shepherds</i> Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism
The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

Article – Sam Gathercole

The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital
Greenham Common's Archival Webs: Towards a Virtual Feminist Museum

Animating the Archive – Alexandra Kokoli

Greenham Common's Archival Webs: Towards a Virtual Feminist Museum

Imprint

Publisher: Paul Mellon Centre for Studies in British Art and Yale Center for British Art